Images of landowners in the poem "Dead Souls" by Gogol. Images of landowners in the poem “Dead Souls” N
Images of landowners in the poem " Dead Souls"Gogol
... A different fate for the writer who dared
bring out... the whole depth of the cold,
fragmented, everyday characters,
with which our land is teeming... And for a long time
determined for me by the wonderful power to go hand in hand
with my strange heroes...
N.V. Gogol.
“Gogol does not write, but draws,” said Belinsky. Indeed, the portraits and characters of his heroes seem to be drawn or, better said, sculpted. The writer's penetrating gaze allowed him to expose a whole cabinet of curiosities of the negative. A prominent place in it is occupied by a gallery of images of landowners. IN " Dead souls ah" Gogol created typical portraits of landowners, reflecting character traits of an entire class, revealed the spiritual impoverishment and moral degeneration of this class, although the writer himself did not think of drawing such decisive conclusions.
In the image of the courteous, sweet-tongued Manilov, mismanagement, wasteful landowners are shown. Everything went on by itself, fell into decay, the men drank and deceived the master. The owner’s mind was occupied with an empty, unrealizable dream. It is not for nothing that the expression “Manila dreams” has become established in the sense of useless, lifeless fantasies. His speech is pompous. Meanwhile, in two years Manilov read only 14 pages of one single book. Using Belinsky’s expression, we can say that Manilov is Oblomov’s “elder brother”, in whom this landowner laziness has reached its extreme.
Sobakevich appears completely different. This is a strong owner who lets out peasants for rent and earnings for his own benefit. This is the owner - the fist. He is ready to sell everything, to charge hundreds of rubles even for dead souls. The entire furnishings of his house, manners, and appearance speak of the moral savagery of this master. He is rude and cynic, does not even respect people in his own circle. Yes, it is difficult to imagine such a nobleman as a “white bone” and “father of the peasants.” From a social point of view, he is a past phenomenon, for he is an ardent enemy of all progress. With such “masters of life,” of course, it was impossible to bring the country out of economic backwardness, although Sobakevich is better for the peasants than Plyushkin.
Matching Sobakevich’s possessive nature is the “club-headed” Korobochka, who is slowly gaining money and is afraid to sell “dead souls” short.
The limit of human fall is Plyushkin. Although there are many images of misers in literature, this one is so strong that the word “Plyushkinism” as a synonym for extreme and senseless stinginess has firmly established itself. He has become “a hole in humanity.” The peasants have been reduced to such impoverishment that dozens are fleeing from him and hundreds are dying, and he claims that the people have acquired the habit of “cracking” from idleness. He himself also lives from hand to mouth, dresses like a beggar (Chichikov didn’t even recognize him as a master, he thought he was a woman). His whole life is spent looking out for anything that can be hidden, in spying on the housekeeper, in quarrels and dreams, and at this time the good rots and perishes. Plyushkin's soul turned to stone, his feelings became dull. Disgust grips the reader as he thinks about this man.
The perfect opposite of Plyushkin-Nozdryov. This one is ready to exchange everything, lose, play truant, does not miss an opportunity to defame, deceive another, take away from him what he likes. He is also dishonest at cards, because cheating is in his blood. True, there was a beat for this. His energy is amazing. But all of it is wasted on trifles and to the detriment of people. He is ready to take on the most fantastic enterprise. His boasting goes beyond all measure. Language itself lies without any reason or benefit. His name became a household name for an impudent liar, a carouser and a troublemaker.
In the second volume of Dead Souls, Gogol enriched his collection of “dead souls” of landowners. We see Pyotr Petrovich Rooster, whose whole life passes from one meal to another, so he has absolutely no time to be bored. All thoughts are aimed at how to prepare the food more deliciously. His estate is mortgaged, but even grief is not enough for him. We also meet Khlobuev, who is completely unadapted to life, who has ruined his family, sells his estate, but immediately gives him lunch with the money he receives.
The image of Kostanzhoglo stands out. Undoubtedly, there were such exceptions in Russia. There were active, enterprising nobles who, along with the wool, did not rip off the skin from the peasants. But they were not typical. Landowners' farms were going bankrupt; the Plyushkins, Manilovs and Nozdrevs were more typical. And that is why Gogol’s type was not successful good landowner.
Having analyzed the images of serf owners in the poem, we can say that the system in which the Sobakevichs, Korobochki, Manilovs, Plyushkins and the like are the masters of life, control the destinies of people, and live out national wealth is flawed.
The landowners are long gone, but Gogol's poem does not die. The images he created became the property of Russian literature, and the names of these heroes became household names. It is not for nothing that Herzen said about his types that “we met them at every step” and with the help of Gogol “we finally saw them, without embellishment.”
The first person the author introduces us to in chapter 2 of the poem is Manilov. He is described as a pleasant, but boring and lazy man of 30-40 years old.Gogol did not even honor this character with a name; only his last name is mentioned. Manilov leads a boring life, but in his dreams he wants to make “foreign mansions” out of his estate. The character builds many underground passages, erects towers and bridges. All this luxury leads to the impoverishment of the peasants and Manilov himself. In pursuit of the beauty of foreign standards, he forgets to take care of his home, the peasants. He is married and has 2 children who were given very unusual names- Themistoclus and Alcides. This fact shows that he does not think about the future of his children; for him, the main thing is to imitate Europeans. The main character of the poem, Chichikov, at the first meeting with him, saw in him a delicate person absorbed in himself. Manilov, because of him romantic nature, it was easy to enter into the adventure of selling dead souls. The author believes that the landowner already has a dead soul, so he can easily sell his own kind.The image of the landowner Korobochka
Chapter 3 of the poem “Dead Souls” is devoted to introducing in a feminine way landowner - widow Korobochka. This woman is distinguished by her thriftiness. Nastasya Petrovna owns only 80 peasants, however, under clear leadership her farm is thriving, her houses are strong, and her men are distinguished by their remarkable strength. The landowner's biggest fear is not to sell herself short.Even when selling “dead souls,” she was afraid that she would give Chichikov souls at a reduced price. It doesn’t matter to her what she sells - flour, honey or dead people, the main goal of such landowners is to sell profitably. Gogol compares Korobochka to a flock of flies that flock to the mud.
Characteristics of the landowner Nozdryov
After getting to know Korobochka, the author invites us to look at the active and cheerful Nozdryov. We know that he is 35 years old and has lost his wife, but this does not stop him from leading an active life. He loves to walk, go to the bathhouse and fight. It’s hard for him to do housework, so he doesn’t do it. Nozdryov spends all his money on visiting taverns and balls. Often he is left without money and brazenly asks for a loan, considering this a normal occurrence. The landowner has two children, whom he also does not care about, but he loves dogs more than anyone else, and takes care of them even more than the children. We see Nozdryov as a scandalous person who often lies for his own benefit. Chichikov fails to buy dead souls from this character.Gogol says that such Nozdryovs are often found in Rus', and will live for a long time.
The image of the landowner Sobakevich
A telling surname is used - indeed, Sobakevich can be compared to an animal, but not to a dog, but to a bear. Gogol's description bore similarities to the appearance of this animal. Sobakevich was wearing a “bear-colored” tailcoat; the peasants called the owner Mikhail Semenovich. Sobakevich was clumsy and lacked manners. In the landowner's estate, everything is also clumsy, large and clumsy. The peasants are strong, but stupid and rude people. Sobakevich could not refuse Chichikov’s offer, and without a twinge of conscience he sold his souls. For him, only money is important, and of the entire gallery of images of landowners, Sobakevich is the most “dead” of them. For him, all decent people are pigs.
Characteristics of the landowner Plyushkin
Plyushkin becomes the apogee of portraits of landowners. All other heroes are only a small part of what is hidden in Plyushkin. He absorbed the character traits of Manilov, Korobochka, Nozdryov, and even Sobakevich.Important! Plyushkin personifies all the vices of landowners. He is characterized by stinginess, greed, rudeness, indifference to people, he is only interested in accumulating property, which rots in warehouses, like his soul.Plyushkin stores everything he can. However, he does not spend his wealth even on himself - he wears an old robe, which is embarrassing to look at, and practically does not eat. He treats the peasants in the same way - he constantly reproaches them and starves them. Some people can't stand it and run away from him. The degradation of Plyushkin’s soul is well represented in his communication with his son: when he lost at cards, he sent him a curse instead of money and never saw him again.
Important! The images of landowners in the poem “Dead Souls” show how inhuman a person can be. Against the background of these Gogol sketches, the dead souls of the peasants become “alive.”In the poem by N.V. Gogol, we see how much the noble class has degraded, and only the simple Russian people are able to spiritually resurrect Rus', raise it from its knees, if it does not resemble Chichikov, Sobakevich, Manilov, Korobochka and Plyushkin. If their souls do not have these vices, then they will be able to live like real people - in harmony with themselves and the surrounding reality, because the most important value of a person is his soul. For full picture images quotation description See the characters in the video below.
The title of Gogol’s work “Dead Souls” has many meanings. " Dead souls“In the poem there are not only deceased serfs, whose documents Chichikov wants to redeem, but also landowners whom the reader meets in the process of reading the book. This article briefly talks about the landowners in “Dead Souls”, about the characters, and their images.
Images of Manilov and Korobochka in the poem
The first landowners to meet on Chichikov’s path are Manilov and Korobochka. The reader meets Manilov in Chapter II, and Korobochka in Chapter III. After the publication of the poem, the term “Manilovism” came into use, denoting the image of parasitism and idleness. In the work, the author describes Manilov as follows: “a so-so man, neither this nor that, neither in the city of Bogdan, nor in the village of Selifan.” Blond-haired and blue-eyed Manilov, with eyes swollen from satiety, leads an idle life, makes many plans every day, but does nothing to implement them. All his dreams and plans do not bring any benefit to others. He dreams of unnecessary, useless things, for example, to build a tower from which even Moscow will be visible, or to dig an underground passage. The clerk is in charge of all matters, but even he does not know how many peasants died in one year. Behind the outward friendliness and courtesy of the landowner hides indifference, superficiality of views and lack of character.
Nastasya Petrovna Korobochka is the only woman among those with whom Chichikov had to deal. Having come to her by chance, Chichikov learns that he can also buy “dead souls” from her. Korobochka turns out to be a real entrepreneur and businessman. She cleverly bargains with Chichikov for her “product” and is very worried that she has sold too cheap. The former secretary's wife, now a widow, manages her entire household of 80 souls. She and her peasants provide themselves with the goods they produce.
The image of Nozdryov and Sobakevich in the poem
N.V. Gogol introduces the figure of Nozdryov in Chapter IV. This is a reckless young man, a gambler and a reveler. Nozdryov has no moral principles, so Chichikov has no doubt about the positive outcome of his case. Constant fights and vile actions define Nozdryov's character. This character does not pay attention to his children, and he loves dogs and the wolf cub who settled in his house more than his offspring.
In Chapter V of the work, Pavel Ivanovich meets Sobakevich. Outwardly similar to a bear, he also has a stony character. Mikhailo Semenovich is a hero, like everyone else in his generation. From interesting facts In his biography it can be noted that he was never sick and even went bear hunting alone. And this strong, healthy man turns out, like all the other landowners, dead internally. He offered the highest price for his “dead souls”, and also bargained, assuring Chichikov of the quality of his goods. His soul, like that of other landowners, had already died, only the thirst for profit and unscrupulousness remained.
The image of Plyushkin in the poem
Stepan Plyushkin is in the final place in the sequence of characters. This figure personifies miserliness and incredible stinginess. Despite his wealth, he leads the life of a beggar, and his serfs die of hunger. Plyushkin's bins are full of goods and food that rots and deteriorates. Outwardly, this person looks more like an old housekeeper than a wealthy landowner. His possessions fully reflect the image of their owner. Everything is in disrepair, the houses are rickety, and the peasants are either dying or running away from such an owner. It is Plyushkin who has the most a large number of"dead souls"
Many people have heard about the landowners in Dead Souls, whom Nikolai Gogol so vividly portrayed, but not everyone knows why these characters were created and how they can be characterized.
So, the landowners in Dead Souls are positive or negative characters? In the poem Dead Souls, Nikolai Gogol depicted what Russian landowners are like with the help of five characters.
The image of the landowner Manilov in Dead Souls
The first person Chichikov turns to with his vague proposal to buy dead souls is the courteous Manilov. With sugary speeches, memorized over many years of empty existence, he endeared himself to his new acquaintance.
The insensitive Manilov loved to indulge in dreams that led nowhere. He lived in his own serene world, in a world without problems and passions.
The image of the landowner Korobochka in Dead Souls
Further, the road led Chichikov to Korobochka, a very thrifty elderly landowner. This is very interesting character. She conducts business with intelligence and petty extravagance, so the village is in good condition. However, at the same time, Korobochka is slow to think, afraid of change: time in her house seems to have stood still.
All this did not give Chichikov the opportunity to immediately agree on a deal. The landowner Korobochka was terribly afraid of selling herself cheap, because she could not understand the purpose of buying dead souls.
The image of the landowner Nozdryov in Dead Souls
The next person who was offered to get rid of them was the landowner Nozdryov. This crazy man is full of energy and passion, but he directs his stormy flow in the wrong direction.
And again Nikolai Gogol makes the reader wonder at the worthlessness of the landowner’s life, because the lies and boasting of the landowner Nozdryov have neither limit nor meaning.
Although this and other landowners in Gogol's Dead Souls are very bright characters, they are united by one thing - spiritual emptiness.
The image of the landowner Sobakevich in Dead Souls
The image of the landowner Plyushkin in Dead Souls
Perhaps the most terrifying image in the poem is that of the landowner Plyushkin. A man who once led a bright, fulfilling life has turned into a fanatical collector, seeking to dominate everything that catches his eye. The surname Plyushkin speaks of an unhealthy passion to have every little thing, considering it a kind of bun, that is, useful.
Because of this blasphemous attitude, the peasants suffer greatly: they have to look at mountains of rotting grain when they themselves have nothing on their plate.
As a result, the landowners in Gogol's Dead Souls are very bright characters who cannot be confused. But they all have one thing in common - spiritual emptiness.
We also bring to your attention summary Gogol's poems
| landowner | Appearance | Manor | Characteristic | Attitude to Chichikov's request |
| Manilov | The man is not yet old, his eyes are as sweet as sugar. But there was too much sugar. In the first minute of a conversation with him you’ll say what a nice person he is, a minute later you won’t say anything, and in the third minute you’ll think: “The devil knows what this is!” | The master's house stands on a hill, open to all winds. The economy is in complete decline. The housekeeper steals, there is always something missing in the house. Cooking in the kitchen is a mess. The servants are drunkards. Against the backdrop of all this decline, the gazebo with the name “Temple of Solitary Reflection” looks strange. The Manilov couple love to kiss, give each other cute trinkets (a toothpick in a case), but at the same time they absolutely do not care about home improvement. | About people like Manilov, Gogol says: “The man is so-so, neither this nor that, neither in the city of Bogdan, nor in the village of Selifan.” The man is empty and vulgar. For two years now, there has been a book in his office with a bookmark on page 14, which he constantly reads. Dreams are fruitless. Speech is sugary and sweet (name day of the heart) | I was surprised. Understands that this request is illegal, but cannot refuse such nice person. He agrees to give the peasants away for free. He doesn’t even know how many souls he has died. |
| Box | An elderly woman, wearing a cap, with a flannel around her neck. | A small house, the wallpaper in the house is old, the mirrors are antique. Nothing is lost on the farm, as evidenced by the net on the fruit trees and the cap on the scarecrow. She taught everyone to be orderly. The yard is full of birds, the garden is well-kept. Although the peasant huts were built randomly, they show the contentment of the inhabitants and are properly maintained. Korobochka knows everything about her peasants, does not keep any notes and remembers the names of the dead by heart. | Economical and practical, she knows the value of a penny. Club-headed, clueless, stingy. This is the image of a hoarding landowner. | He wonders why Chichikov needs this. Afraid of selling out. Knows exactly how many peasants died (18 souls). He looks at dead souls the same way as he looks at lard or hemp: in case they come in handy on the farm. |
| Nozdryov | Fresh, “like blood and milk,” radiant with health. Average height, well built. At thirty-five he looks the same as he did at eighteen. | A stable with two horses. The kennel is in excellent condition, where Nozdryov feels like the father of a family. There are no usual things in the office: books, paper. And hanging there is a saber, two guns, a barrel organ, pipes, and daggers. The lands are unkempt. The farming went on by itself, since the main concern of the hero was hunting and fairs - there was no time for farming. The repairs in the house are not completed, the stalls are empty, the barrel organ is faulty, the chaise is lost. The situation of the serfs, from whom he extracts everything he can, is deplorable. | Gogol calls Nozdryov a “historical” person, because not a single meeting at which Nozdryov appeared was complete without “history.” He is reputed to be a good friend, but is always ready to play a dirty trick on his friend. “A broken fellow”, a reckless reveler, a card player, loves to lie, spends money thoughtlessly. Rudeness, blatant lies, and recklessness are reflected in his fragmentary speech. While talking, he constantly jumps from one subject to another, uses swear words: “you’re an ass for this,” “such rubbish.” | From him, a reckless reveler, it seemed that it was easiest to get dead souls, and yet he was the only one who left Chichikov with nothing. |
| Sobakevich | Looks like a bear. Bear-colored tailcoat. The complexion is reddened and hot. | Big village, awkward house. The stable, barn, and kitchen were built from massive logs. The portraits that hang in the rooms depict heroes with “thick thighs and incredible mustaches.” Walnut Bureau on four legs looks ridiculous. Sobakevich’s farm developed according to the principle “it’s not cut well, but it’s sewn tightly”, it’s solid and strong. And he doesn’t ruin his peasants: his peasants live in miraculously built huts, in which everything was fitted tightly and properly. Excellent knowledge of business and human qualities their peasants. | Kulak, rude, clumsy, uncouth, incapable of expressing emotional experiences. An evil, tough serf owner will never miss his profit. | Of all the landowners with whom Chichikov dealt, Sobakevich is the most savvy. He immediately understood what the dead souls were for, quickly saw through the guest’s intentions and made a deal to his advantage. |
| Plyushkin | It was difficult to determine whether it was a man or a woman. Looks like an old key holder. Gray eyes quickly ran from under fused eyebrows. There is a cap on the head. The face is wrinkled, like that of an old man. The chin protruded far forward; there were no teeth. On the neck is either a scarf or a stocking. The men call Plyushkin “Patched”. | Dilapidated buildings, old dark logs on the peasants' huts, holes in the roofs, windows without glass. He walked the streets, picking up everything he came across and dragging it into the house. The house is full of furniture and junk. The once prosperous farm became unprofitable due to pathological stinginess, brought to the point of wastefulness (hay and bread rotted, flour in the basement turned to stone). | Once upon a time, Plyushkin was simply a thrifty owner; he had a family and children. The hero also met with his neighbors. Turning point of transformation cultural landowner The death of the mistress became a miser. Plyushkin, like all widowers, became suspicious and stingy. And it turns, as Gogol says, into “a hole in humanity.” | The offer amazed and delighted me because there would be income. He agreed to sell 78 souls for 30 kopecks. |
- Landowner Portrait Characteristics Estate Attitude to housekeeping Lifestyle Result Manilov Handsome blond with blue eyes. At the same time, his appearance “seemed to have too much sugar in it.” Too ingratiating look and behavior Too enthusiastic and refined dreamer who does not feel any curiosity about his farm or anything earthly (he doesn’t even know whether his peasants died after the last revision). At the same time, his dreaminess is absolutely [...]
- Compositionally, the poem “Dead Souls” consists of three externally closed, but internally interconnected circles. landowners, a city, a biography of Chichikov, united by the image of a road, plot-related by the main character’s scam. But the middle link - the life of the city - itself consists, as it were, of narrowing circles gravitating towards the center; this is a graphic representation of the provincial hierarchy. It is interesting that in this hierarchical pyramid the governor, embroidering on tulle, looks like a puppet figure. True life is in full swing in civil [...]
- Nikolai Vasilyevich Gogol is one of the most brilliant authors of our vast Motherland. In his works, he always spoke about painful issues, about how His Rus' lived in His time. And he does it so well! This man really loved Russia, seeing what our country really is - unhappy, deceptive, lost, but at the same time - dear. Nikolai Vasilyevich in the poem “Dead Souls” gives a social profile of the Rus' of that time. Describes landownership in all colors, reveals all the nuances and characters. Among […]
- The work of Nikolai Vasilyevich Gogol fell on the dark era of Nicholas I. It was the 30s. XIX century, when reaction reigned in Russia after the suppression of the Decembrist uprising, all dissidents were persecuted, the best people were persecuted. Describing the reality of his time, N.V. Gogol creates the poem “Dead Souls,” which is brilliant in its depth of reflection of life. The basis of “Dead Souls” is that the book is a reflection not of individual features of reality and characters, but of the reality of Russia as a whole. Myself […]
- In Gogol's poem "Dead Souls" the way of life and morals of the feudal landowners is very correctly noted and described. Drawing images of landowners: Manilov, Korobochka, Nozdryov, Sobakevich and Plyushkin, the author recreated a generalized picture of the life of serf Russia, where arbitrariness reigned, the economy was in decline, and the individual suffered moral degradation. After writing and publishing the poem, Gogol said: ““Dead Souls” made a lot of noise, a lot of murmur, touched many people to the quick with ridicule, truth, and caricature, touched […]
- Nikolai Vasilyevich Gogol noted that the main theme of “Dead Souls” was contemporary Russia. The author believed that “there is no other way to direct society or even an entire generation towards the beautiful until you show the full depth of its real abomination.” That is why the poem presents a satire on the local nobility, bureaucracy and others social groups. The composition of the work is subordinated to this task of the author. The image of Chichikov traveling around the country in search of the necessary connections and wealth allows N.V. Gogol […]
- Chichikov, having met landowners in the city, received an invitation from each of them to visit the estate. The gallery of owners of “dead souls” is opened by Manilov. The author at the very beginning of the chapter gives a description of this character. His appearance initially made him very pleasant impression, then - bewilderment, and in the third minute “... you say: “The devil knows what it is!” and move away..." The sweetness and sentimentality highlighted in the portrait of Manilov constitute the essence of his idle lifestyle. He is constantly talking about something [...]
- French traveler, author of the famous book “Russia in 1839” The Marquis de Kestin wrote: “Russia is ruled by a class of officials who occupy administrative positions straight from school... each of these gentlemen becomes a nobleman, having received a cross in his buttonhole... Upstarts are among those in power, and they use their power as befits upstarts.” The Tsar himself admitted with bewilderment that it was not he, the All-Russian autocrat, who ruled his empire, but the head appointed by him. Provincial town [...]
- In his famous address to the “bird-troika”, Gogol did not forget the master to whom the troika owes its existence: “It seems that not a cunning, it seems, road projectile, not grabbed by an iron screw, but hastily, alive, with one ax and a chisel, the Yaroslavl equipped and assembled you a quick guy." There is another hero in the poem about swindlers, parasites, owners of living and dead souls. Gogol's unnamed hero is a serf slave. In “Dead Souls” Gogol composed such a dithyramb for the Russian serf people, with such direct clarity […]
- N.V. Gogol conceived the first part of the poem “Dead Souls” as a work that reveals the social vices of society. In this regard, he was looking for a plot not a simple fact of life, but one that would make it possible to expose the hidden phenomena of reality. In this sense, the plot proposed by A. S. Pushkin suited Gogol perfectly. The idea of “travelling all over Rus' with the hero” gave the author the opportunity to show the life of the entire country. And since Gogol described it in such a way “so that all the little things that elude […]
- In the fall of 1835, Gogol began working on “Dead Souls,” the plot of which, like the plot of “The Inspector General,” was suggested to him by Pushkin. “In this novel I want to show, although from one side, all of Rus',” he writes to Pushkin. Explaining the concept of “Dead Souls,” Gogol wrote that the images of the poem are “in no way portraits of insignificant people; on the contrary, they contain the features of those who consider themselves better than others.” Explaining the choice of the hero, the author says: “Because it’s time, finally, give rest to the poor virtuous man, because [...]
- It should be noted that the episode of the crews’ collision is divided into two micro-themes. One of them is the appearance of a crowd of onlookers and “helpers” from a neighboring village, the other is Chichikov’s thoughts caused by his meeting with a young stranger. Both of these themes have both an external, superficial layer that directly concerns the characters of the poem, and a deep layer that brings to the scale of the author’s thoughts about Russia and its people. So, the collision occurs suddenly when Chichikov silently curses Nozdryov, thinking that […]
- Chichikov met Nozdrev earlier, at one of the receptions in the city of NN, but the meeting in the tavern is the first serious acquaintance of both Chichikov and the reader with him. We understand what type of people Nozdryov belongs to, first by seeing his behavior in the tavern, his story about the fair, and then by reading the author’s direct description of this “broken fellow,” “ historical person”, who has a “passion to spoil his neighbor, sometimes for no reason at all.” We know Chichikov as a completely different person – [...]
- Gogol's poem “Dead Souls” is one of the greatest and at the same time mysterious works of the 19th century. Genre definition“poem,” which then unambiguously meant a lyric-epic work written in poetic form and predominantly romantic, was perceived by Gogol’s contemporaries differently. Some found it mocking, while others saw hidden irony in this definition. Shevyrev wrote that “the meaning of the word “poem” seems to us twofold... because of the word “poem” a deep, significant […]
- At the literature lesson we got acquainted with the work of N.V. Gogol "Dead Souls". This poem gained great popularity. The work was repeatedly filmed both in the Soviet Union and in modern Russia. Also, the names of the main characters have become symbolic: Plyushkin is a symbol of stinginess and storage of unnecessary things, Sobakevich is an uncouth person, Manilovism is immersion in dreams that have no connection with reality. Some phrases have become catchphrases. The main character of the poem is Chichikov. […]
- What is an image literary hero? Chichikov is a great hero, classic work, created by a genius, a hero who embodied the result of the author’s observations and reflections on life, people, and their actions. An image that has absorbed typical features, and therefore has long gone beyond the scope of the work itself. His name became a household name for people - nosy careerists, sycophants, money-grubbers, outwardly “pleasant,” “decent and worthy.” Moreover, some readers' assessment of Chichikov is not so clear. Comprehension […]
- Gogol was always attracted by everything eternal and unshakable. By analogy with " Divine Comedy"For Dante, he decides to create a work in three volumes, where the past, present and future of Russia could be shown. The author even designates the genre of the work in an unusual way - a poem, since different fragments of life are collected in one artistic whole. The composition of the poem, which is built on the principle of concentric circles , allows Gogol to trace Chichikov’s movement through the provincial town of N, the estates of the landowners and all of […]
- “A rather beautiful spring chaise drove through the gates of the hotel in the provincial town of NN... In the chaise sat a gentleman, not handsome, but not bad-looking, neither too fat nor too thin; One cannot say that he is old, but not that he is too young. His entry made absolutely no noise in the city and was not accompanied by anything special.” This is how our hero, Pavel Ivanovich Chichikov, appears in the city. Let us, following the author, get to know the city. Everything tells us that this is a typical provincial [...]
- Plyushkin is the image of a moldy cracker left over from Easter cake. Only he has a life story; Gogol portrays all other landowners statically. These heroes seem to have no past that would be in any way different from their present and explain something about it. Plyushkin's character is much more complex than the characters of other landowners presented in Dead Souls. Traits of manic stinginess are combined in Plyushkin with morbid suspicion and distrust of people. Preserving an old sole, a clay shard, [...]
- The poem "Dead Souls" reflects social phenomena and the conflicts that characterized Russian life in the 30s and early 40s. XIX century It very accurately notes and describes the way of life and customs of that time. Drawing images of landowners: Manilov, Korobochka, Nozdrev, Sobakevich and Plyushkin, the author recreated a generalized picture of the life of serf Russia, where arbitrariness reigned, the economy was in decline, and the individual suffered moral degradation, regardless of whether she was a slave owner or [... ]
